(E-E) Ev.g.e.n.i.j ..K.o.z.l.o.     Berlin                                                  


      (E-E) Evgenij Kozlov: Exhibitions >>

(E-E) Evgenij Kozlov's Participation in the Second TEII Exhibition (1983)
in His Diary and Photographs

Text: Hannelore Fobo, 2021
Chapter 5: The Peterhof Book of Hours and The Homilies of Gregory
previous page: Chapter 4: Works on paper: The Peterhof Book of Hours (1982)
next page: Chapter 6: Paintings: landscapes from the Russian Period (1981)
Table of contents: see bottom of page >>


Chapter 5: The Peterhof Book of Hours and The Homilies of Gregory

With some exceptions – among them two landscapes more >> – the 1982 folios from Evgenij Kozlov's Peterhof Book of Hours series display intricate figurative compositions – narrations integrating elements of plants, buildings and (background) landscapes. These elements can be perceived not only as symbols, but as ornaments, too. Their twofold function, in conjunction with the primary function of script (albeit printed), allows us to place these works into the category of illuminated manuscripts, where such works are called full-page miniatures. Here, the term ‘miniature’ renders the concept of what Kozlov defined as ‘paintings’ in his diary: they are paintings carried out in a small format.

Other features supporting this proposition are Kozlov’s painterly style, combining large brushstrokes with thin elongated brushstrokes of contrasting colours (E-E-182015, ‘Путник / Wanderer’), as well as the use of silver and, to a lesser extent, of gold (E-E-182010, ‘People Are Equal to Themselves’). We find both features in medieval illuminated manuscripts, where the first is used to create volume, for instance in clothing, and the second to highlight sacredness.

It therefore makes sense to subsume these works under the general heading The Book of Hours, like the cycle from 2005, but with the additional attribute ‘Peterhof’, the place where E-E Kozlov created them – The Peterhof Book of Hours.

Regarding their level of sophistication, the Paris Gregory from the late ninth century comes to mind, though it is not a book of hours, but a book of sermons or homilies. It contains forty-six full-page illustrations or miniatures relating to the sermons of Gregory of Nazianus (Gregory the Theologian), a 4th-century Archbishop of Constantinople Wikipedia >>. This is why it is also called The Homilies of Gregory, while Paris Gregory Wikipedia >> refers to the place where it has been kept for the last four hundred years, the National Library of France or Bibliothèque nationale de France.

Anonymus. The Homilies of Gregory. Grégoire de Nazianze, Homélies. Folio 438v, 888/953 Detail of central figure, ca 4 x 5.5 cm BnF Gallica https://gallica.bnf.fr/ark:/12148/btv1b84522082/f888.item

Anonymus. The Homilies of Gregory.
Grégoire de Nazianze, Homélies. Folio 438v, 888/953
Detail of central figure, ca 4 x 5.5 cm
BnF Gallica
https://gallica.bnf.fr/ark:/12148/btv1b84522082/f888.item

(E-E) Evgenij Kozlov E-E-182009. Untitled, from the Book of Hours cycle, 1982. Detail of central figure, ca. 6 x 8 cm.  The brushstrokes around the woman's head form a circle, similar to the halo around the angel's head in Folio 438v of The Homilies of Gregory (see above). Both fragments are delimited to the right by a vertical brown element – a tree and a wing, respectively.   The downward-looking, concentrated gaze of Kozlov’s figure is also similar to that of the angel. They complete each other: the woman's gaze it is directed to the left (from the viewer's standpoint), while the angel looks towards the right. Other parallels can be seen in the way they both wear their hair and in the soft translucence of the skin.

(E-E) Evgenij Kozlov
E-E-182009. Untitled, from the Book of Hours cycle, 1982. Detail of central figure, ca. 6 x 8 cm.

The brushstrokes around the woman's head form a circle, similar to the halo around the angel's head in Folio 438v of The Homilies of Gregory (see above). Both fragments are delimited to the right by a vertical brown element – a tree and a wing, respectively.

The downward-looking, concentrated gaze of Kozlov’s figure is also similar to that of the angel. They complete each other: the woman's gaze it is directed to the left (from the viewer's standpoint), while the angel looks towards the right. Other parallels can be seen in the way they both wear their hair and in the soft translucence of the skin.




The similarites between The Peterhof Book of Hours and the Paris Gregory can best be noted in specific fragments from the illustrations, for instance when comparing the heads of two female figures in E-E182009 and Folio 438v, respectively (see captions above). But as stated in the previous chapter, Kozlov did not set himself a task to illustrate the content of the pages. Rather, he took inspiration from certain words which had no other merits than to stand at the end of the page, and interpretated them freely. Besides, while the authors of the miniatures for the Homilies of Gregory were fully familiar with biblical episodes, the same cannot be said about a young Soviet citizen living under the dogma of Marxism-Leninism, although Evgenij Kozlov had seen orthodox icons not only in museums: several of his friends collected or traded them.

The similarities between The Peterhof Book of Hours and the Paris Gregory, which are obvious to me, concern the sublime expressiveness which spiritual worlds found in works of art separated by exactly eleven centuries: the Paris Gregory was created between late 879 and 883, while Evgenij Kozlov painted his series of works in 1982.

Yet the genesis of these works couldn't have been more different. The Homilies of Gregory ‘was commissioned as a gift for emperor Basil I by the Patriarch of Constantinople Photios I, to both celebrate the triumph of Orthodoxy and to praise the reign of Basil I’ (Wikipedia >>); several artists contributed to this important gift. Kozlov retrieved a book of hours in 1981 in an abandoned house in the Russian countryside, near the dilapidated church of Sintsovo (see diary p. 3-25 >>), one of many Russian churches bearing witness to the atheist communist ideology. No one expected him to use the book for his art, let alone commissioned such works from him.

On the other hand, just as the Homilies of Gregory followed a period of Byzantine Iconoclasm – thus celebrating the triumph of Orthodoxy – Kozlov's Book of Hours followed a period of Communist Iconoclasm, more exactly, anticipated its end. (Whether they are also an expression of the triumph of spirituality over materialism, is a different question, and the answer depends on whether materialism can be or should be defeated at all.)

But on a more tangible level, similarites concern postures and facial expressions of figures, the way they interact with each other, the arrangement of foreground and background elements, etc. For example, like the Homilies of Gregory folios, all of Kozlov's miniatures are set in (painted) frames.

E-E-182019, ‘Sunshine in the North’ Detail from the lower border with gold powder.

E-E-182019, ‘Sunshine in the North’
Detail from the lower border with gold powder.

Kozlov didn't use gold for framing his compositions, but instead, several of his works are set in a large light brown or dark brown frame, which creates an effect similar to gold. As a matter of fact, the frame of ‘Sunshine in the North’ (E-E-182019) is sparkled with tiny dots of gold.

What is more, a feature typical for the Homilies of Gregory is also present in Kozlov's miniatures: a top / bottom page division consisting of framed sections with different illustrations (episodes) for each section. Speaking in general terms, similarities concern colours, style and compositional features.

I decided to establish them in a more systematic way, juxtaposing folios from (E-E) Evgenij Kozlov’s Peterhof Book of Hours to folios from the Homilies of Gregory. Although the folios from the Homilies of Gregory are slightly larger larger than those from the Peterhof Book of Hours – 43.5 x 30 cm as compared to 34 x 22.5cm – the width to height ratio is almost the same, 1.5 to 1, which makes it easy to create tables.

Establishing likenesses is a tricky business, alll the more so because Kozlov's works are no copies of the Homilies of Gregory – and he certainly had no knowledge of these miniatures. Arranging the works in pairs according to the criteria described above, I was, however, surprised that for most of Kozlov's works, I found a match in the Homilies of Gregory.

It goes without saying that proceeding in an associative – aesthetic – manner, as I did, isn't the same as solving mathematical equations. Some of these pairs might relate to each other more closely than others, and sometimes only certain details are congruent. For example, Folio 3r and E-E 182011 display similar elements of architecture in similar compositions, which makes them match perfectly, while E-E-182013 (‘Watch’) and the upper left part of Folio 196v (the resurrection of Lazarus) present an example for a partial match, of a full page with an episode or section from another page.

E-E-182019 and Folio Br each present a group of three figures against an (almost) monochrome background, but the group of figures are quite different, and the background colour is also different. Kozlov‘s figures, set against a white and blue background formed of sky, snow and ice, are ice fishing; the title of the work is ‘Sunshine in the North’. Folio Br sees Empress Eudokia flanked by her sons Leo and Alexander on a parchment covered with gold leaf. Perhaps this juxtaposition does not seem compelling when considering purely formal grounds. But when I look at this pair of works, they appear to me like an image and its counter-image, and to combine them seems right.

For now, I have created seventeen such pairs. They include fifteen out of the twenty-four miniatures from the Peterhof Book of Hours series. Two of Kozlov's compositions and two folios from the Paris Gregory offer multiple links.

Considering those 1100 years that separate the Peterhof Book of Hours and The Homilies of Gregory, I found the results quite impressive and decided to present them without further comments – as a first step to discuss a present-day form of religiousness transcending ideologies and dogmata.

Information about the Paris Gregory is on Wikipedia external link >>, where all forty-six illustrations are available, reproduced from the Bibliothèque nationale de France. I actually downloaded the pictures from Wikipedia, but provided the captions with links to the original pages on the website of the Bibliothèque nationale de France external link >>, which displays a total of 953 views (book cover and pages recto and verso). Likewise, the captions (in French) are taken from the BnF website see BnF, Archive et manuscrit >>; they are translations from Leslie Brubaker’s 1999 publication Vision and Meaning in Ninth-Century Byzantium: Image as Exegesis in the Homilies of Gregory of Nazianzus (Cambirdge University). Page references to the reproductions of folios in Brubaker’s book are on the BnF website.

Reproductions of E-E Kozlov's works are from different sources and of different quality. Some, like E-E-182008 and E-E 182009, are direct scans and may serve as a reference for the background colour of the paper. Other reproductions are digital pictures and scans from slides or colour prints. In most cases, their colours have been corrected.







Anonymus. The Homilies of Gregory. Grégoire de Nazianze, Homélies. Folio 438v, 888/953 BnF Gallica Ezéchiel dans la vallée des ossements desséchés (Ezéchiel 37, 1-14) https://gallica.bnf.fr/ark:/12148/btv1b84522082/f888.item (E-E) Evgenij Kozlov E-E-182009, from The Peterhof Book of Hours Folio IV (the title Folio IV also corresponds to E-E-182018)

Anonymus. The Homilies of Gregory.
Grégoire de Nazianze, Homélies. Folio 438v, 888/953
BnF Gallica
Ezéchiel dans la vallée des ossements desséchés (Ezéchiel 37, 1-14)
https://gallica.bnf.fr/ark:/12148/btv1b84522082/f888.item
(E-E) Evgenij Kozlov
E-E-182009, from The Peterhof Book of Hours
Folio IV (the title Folio IV also corresponds to E-E-182018)





Anonymus. The Homilies of Gregory. Grégoire de Nazianze, Homélies. Folio Av, 10/953 BnF Gallica le Christ sur le trône tenant l‘évangile ouvert sur le verset Jean 14,27 https://gallica.bnf.fr/ark:/12148/btv1b84522082/f10.item (E-E) Evgenij Kozlov E-E-182008, from The Peterhof Book of Hours Тропарь / Troparion see also previous page
Anonymus. The Homilies of Gregory.
Grégoire de Nazianze, Homélies. Folio Av, 10/953
BnF Gallica
le Christ sur le trône tenant l‘évangile ouvert sur le verset Jean 14,27
https://gallica.bnf.fr/ark:/12148/btv1b84522082/f10.item
(E-E) Evgenij Kozlov
E-E-182008, from The Peterhof Book of Hours
Тропарь / Troparion
see also previous page





(E-E) Evgenij Kozlov E-E-182015, from The Peterhof Book of Hours Иерей / Priest, detail from upper part

(E-E) Evgenij Kozlov
E-E-182015, from The Peterhof Book of Hours
‘Путник / Wanderer’, detail from upper part (see below)

Anonymus. The Homilies of Gregory. Grégoire de Nazianze, Homélies. Folio 75r, 163/953 BnF Gallica Transfiguration https://gallica.bnf.fr/ark:/12148/btv1b84522082/f163.item (E-E) Evgenij Kozlov E-E-182015, from The Peterhof Book of Hours Иерей / Priest

Anonymus. The Homilies of Gregory.
Grégoire de Nazianze, Homélies. Folio 75r, 163/953
BnF Gallica
Transfiguration
https://gallica.bnf.fr/ark:/12148/btv1b84522082/f163.item
(E-E) Evgenij Kozlov
E-E-182015, from The Peterhof Book of Hours
Путник / Wanderer (Catchword: Иерей / Priest)

Anonymus. The Homilies of Gregory. Grégoire de Nazianze, Homélies. Folio 226v, 466/953 BnF Gallica Detail of upper part: Moïse frappe le rocher et en fait jaillir de l’eau (Exode 17, 1-7) https://gallica.bnf.fr/ark:/12148/btv1b84522082/f466.item
(E-E) Evgenij Kozlov E-E-182015, from The Peterhof Book of Hours Иерей / Priest

Anonymus. The Homilies of Gregory.
Grégoire de Nazianze, Homélies. Folio 226v, 466/953
BnF Gallica
Detail of upper part: Moïse frappe le rocher et en fait jaillir de l’eau (Exode 17, 1-7)
https://gallica.bnf.fr/ark:/12148/btv1b84522082/f466.item
(E-E) Evgenij Kozlov
E-E-182015, from The Peterhof Book of Hours
Путник / Wanderer (Catchword: Иерей / Priest)





Anonymus. The Homilies of Gregory. Grégoire de Nazianze, Homélies. Folio 226v, 466/953 BnF Gallica Detail of upper part: Moïse frappe le rocher et en fait jaillir de l’eau (Exode 17, 1-7) https://gallica.bnf.fr/ark:/12148/btv1b84522082/f466.item (E-E) Evgenij Kozlov E-E-182016, from The Peterhof Book of Hours Лист V Свет (?) Light, detail

Anonymus. The Homilies of Gregory.
Grégoire de Nazianze, Homélies. Folio 226v, 466/953
BnF Gallica
Detail of upper part: Moïse frappe le rocher et en fait jaillir de l’eau (Exode 17, 1-7)
https://gallica.bnf.fr/ark:/12148/btv1b84522082/f466.item
(E-E) Evgenij Kozlov
E-E-182016, from The Peterhof Book of Hours
Лист V Свет (?) Light, detail

Anonymus. The Homilies of Gregory. Grégoire de Nazianze, Homélies. Folio Cv, 14/953 l'empereur Basile Ier (ΒΑΣΙΛΕΙΟΣ ΔΕΣΠΟΤΗΣ) entre le prophète Elie à sa droite (Ο ΑΓΙΟΣ ΗΛΙΑΣ) et l'archange Gabriel à sa gauche (Ο ΑΡΧΙΣΤΡΑΤΗΓΟΣ ΓΑΒΡΙΗΛ) BnF Gallica https://gallica.bnf.fr/ark:/12148/btv1b84522082/f14.item (E-E) Evgenij Kozlov E-E-182016, from The Peterhof Book of Hours Лист V Свет (?) Light

Anonymus. The Homilies of Gregory.
Grégoire de Nazianze, Homélies. Folio Cv, 14/953
l'empereur Basile Ier (ΒΑΣΙΛΕΙΟΣ ΔΕΣΠΟΤΗΣ) entre le prophète Elie à sa droite (Ο ΑΓΙΟΣ ΗΛΙΑΣ) et l'archange Gabriel à sa gauche (Ο ΑΡΧΙΣΤΡΑΤΗΓΟΣ ΓΑΒΡΙΗΛ)
BnF Gallica
https://gallica.bnf.fr/ark:/12148/btv1b84522082/f14.item
(E-E) Evgenij Kozlov
E-E-182016, from The Peterhof Book of Hours
Лист V Свет (?) / Light (?)





Anonymus. The Homilies of Gregory. Grégoire de Nazianze, Homélies. Folio 215v, 444/953 BnF Gallica Au registre supérieur, le jugement de Salomon (3 Rois 3, 16-27): Salomon siège sur son trône flanqué de deux soldats tandis qu’un autre soldat tient l’enfant au-dessus des deux femmes représentées dans la partie droite. Au registre inférieur : à gauche, la conversion de la Samaritaine (Jean 4, 5-26) – le Christ parle avec la Samaritaine qui est en train de retirer son sceau du puits de Jacob (Ο Χ<ΡΙΣΤΟ>Σ ΔΙΑΛΕΓΩΜΕΝΟΣ ΤΗ ΣΑΜΑΡΙΤΙΔΗ) – ; à droite, la guérison des dix lépreux (Luc, 17, 11-19). Cf. Brubaker, Vision and Meaning, pp. 265-270. https://gallica.bnf.fr/ark:/12148/btv1b84522082/f444.item (E-E) Evgenij Kozlov E-E-182049, from The Peterhof Book of Hours Лист I МИЛОСТИ… / Grace
Anonymus. The Homilies of Gregory.
Grégoire de Nazianze, Homélies. Folio 215v, 444/953
BnF Gallica
Au registre supérieur, le jugement de Salomon (3 Rois 3, 16-27): Salomon siège sur son trône flanqué de deux soldats tandis qu’un autre soldat tient l’enfant au-dessus des deux femmes représentées dans la partie droite.
Au registre inférieur : à gauche, la conversion de la Samaritaine (Jean 4, 5-26) – le Christ parle avec la Samaritaine qui est en train de retirer son sceau du puits de Jacob (Ο Χ<ΡΙΣΤΟ>Σ ΔΙΑΛΕΓΩΜΕΝΟΣ ΤΗ ΣΑΜΑΡΙΤΙΔΗ) – ; à droite, la guérison des dix lépreux (Luc, 17, 11-19). Cf. Brubaker, Vision and Meaning, pp. 265-270.
https://gallica.bnf.fr/ark:/12148/btv1b84522082/f444.item
(E-E) Evgenij Kozlov
E-E-182049, from The Peterhof Book of Hours
Лист I МИЛОСТИ… / Grace





Anonymus. The Homilies of Gregory. Grégoire de Nazianze, Homélies. Folio 32v, 78/953 BnF Gallica Detail. martyre des apôtres (12 scènes) https://gallica.bnf.fr/ark:/12148/btv1b84522082/f78.item (E-E) Evgenij Kozlov E-E-182058, from The Peterhof Book of Hours О, УТОЛИ… / O, Appease

Anonymus. The Homilies of Gregory.
Grégoire de Nazianze, Homélies. Folio 32v, 78/953
BnF Gallica
Detail. martyre des apôtres (12 scènes)
https://gallica.bnf.fr/ark:/12148/btv1b84522082/f78.item
(E-E) Evgenij Kozlov
E-E-182058, from The Peterhof Book of Hours
О, УТОЛИ… / O, Appease




Anonymus. The Homilies of Gregory. Grégoire de Nazianze, Homélies. Folio 3r, 19/953 Annonciation et visitation (registre supérieur), cinq scènes de la vie de Jonas (registre inférieur), v. Brubaker, Vision and Meaning, pp. 98-103 et 375-380. BnF Gallica https://gallica.bnf.fr/ark:/12148/btv1b84522082/f19.item (E-E) Evgenij Kozlov E-E-182011, from The Peterhof Book of Hours Слава / Glory

Anonymus. The Homilies of Gregory.
Grégoire de Nazianze, Homélies. Folio 3r, 19/953
Annonciation et visitation (registre supérieur), cinq scènes de la vie de Jonas (registre inférieur), v. Brubaker, Vision and Meaning, pp. 98-103 et 375-380.
BnF Gallica
https://gallica.bnf.fr/ark:/12148/btv1b84522082/f19.item
(E-E) Evgenij Kozlov
E-E-182011, from The Peterhof Book of Hours
Слава / Glory





Anonymus. The Homilies of Gregory. Grégoire de Nazianze, Homélies. Folio 196v, 406/953 BnF Gallica. Detail of upper part. La résurrection de Lazare: Marthe et Marie implorent Christ qui demande à Lazare de sortir de sa tombe. https://gallica.bnf.fr/ark:/12148/btv1b84522082/f406.item (E-E) Evgenij Kozlov E-E-182013, from The Peterhof Book of Hours БДИ / Watch

Anonymus. The Homilies of Gregory.
Grégoire de Nazianze, Homélies. Folio 196v, 406/953
BnF Gallica. Detail of upper part.
La résurrection de Lazare: Marthe et Marie implorent Christ qui demande à Lazare de sortir de sa tombe.
https://gallica.bnf.fr/ark:/12148/btv1b84522082/f406.item
(E-E) Evgenij Kozlov
E-E-182013, from The Peterhof Book of Hours
БДИ / Watch

see also previous chapter





Anonymus. The Homilies of Gregory. Grégoire de Nazianze, Homélies. Folio 137r, 287/953 BnF Gallica Hérode ordonnant le massacre des innocents. https://gallica.bnf.fr/ark:/12148/btv1b84522082/f287.item (E-E) Evgenij Kozlov E-E-182010, from The Peterhof Book of Hours Лист VI. Человек равен самому себе People Are Equal to Themselves

Anonymus. The Homilies of Gregory.
Grégoire de Nazianze, Homélies. Folio 137r, 287/953
BnF Gallica
Hérode ordonnant le massacre des innocents.
https://gallica.bnf.fr/ark:/12148/btv1b84522082/f287.item
(E-E) Evgenij Kozlov
E-E-182010, from The Peterhof Book of Hours
Лист VI. Человек равен самому себе / People Are Equal to Themselves






Anonymus. The Homilies of Gregory. Grégoire de Nazianze, Homélies. Folio 239r, 491/953 Detail of upper half of page Grégoire et l'empereur Théodose: Grégoire suivi de deux évêques s'adresse à Théodose Ier; à droite le trône impérial à côté duquel se tiennent deux gardes. BnF Gallica https://gallica.bnf.fr/ark:/12148/btv1b84522082/f491.item

Anonymus. The Homilies of Gregory.
Grégoire de Nazianze, Homélies. Folio 239r, 491/953
Detail of upper half of page
Grégoire et l'empereur Théodose: Grégoire suivi de deux évêques s'adresse à Théodose Ier; à droite le trône impérial à côté duquel se tiennent deux gardes.
BnF Gallica
https://gallica.bnf.fr/ark:/12148/btv1b84522082/f491.item

(E-E) Evgenij Kozlov E-E-182047, from The Peterhof Book of Hours Лист II. АРАБ / Arab

(E-E) Evgenij Kozlov
E-E-182047, from The Peterhof Book of Hours
Лист II. АРАБ / Arab





Anonymus. The Homilies of Gregory. Grégoire de Nazianze, Homélies. Folio 440r, 891/953 Detail of central part of page le rève de Constantin: la vision de la croix et la bataille du Pont Milvius. BnF Gallica https://gallica.bnf.fr/ark:/12148/btv1b84522082/f891.item

Anonymus. The Homilies of Gregory.
Grégoire de Nazianze, Homélies. Folio 440r, 891/953
Detail of central part of page
le rève de Constantin: la vision de la croix et la bataille du Pont Milvius.
BnF Gallica
https://gallica.bnf.fr/ark:/12148/btv1b84522082/f891.item

(E-E) Evgenij Kozlov, from The Peterhof Book of Hours E-E-182021 „И ныне“ / And Now

(E-E) Evgenij Kozlov, from The Peterhof Book of Hours
E-E-182021 „И ныне“ / And Now





Anonymus. The Homilies of Gregory. Grégoire de Nazianze, Homélies. Folio 440r, 891/953 BnF Gallica Detail of upper part of page.: le rêve de Constantin https://gallica.bnf.fr/ark:/12148/btv1b84522082/f891.item

Anonymus. The Homilies of Gregory.
Grégoire de Nazianze, Homélies. Folio 440r, 891/953
BnF Gallica
Detail of upper part of page.: le rêve de Constantin
https://gallica.bnf.fr/ark:/12148/btv1b84522082/f891.item

(E-E) Evgenij Kozlov E-E-182014, from The Peterhof Book of Hours Грешник / Sinner

(E-E) Evgenij Kozlov
E-E-182014, from The Peterhof Book of Hours
Грешник / Sinner






Anonymus. The Homilies of Gregory. Grégoire de Nazianze, Homélies. Folio Br, 11/953 BnF Gallica L’impératrice Eudocie flanquée de ses fils Léon (à sa droite) et Alexandre (à sa gauche) https://gallica.bnf.fr/ark:/12148/btv1b84522082/f11.item (E-E) Evgenij Kozlov E-E-182019, from The Peterhof Book of Hours Солнышко на Севере Sunshine in the North

Anonymus. The Homilies of Gregory.
Grégoire de Nazianze, Homélies. Folio Br, 11/953
BnF Gallica
L’impératrice Eudocie flanquée de ses fils Léon (à sa droite) et Alexandre (à sa gauche)
https://gallica.bnf.fr/ark:/12148/btv1b84522082/f11.item
(E-E) Evgenij Kozlov
E-E-182019, from The Peterhof Book of Hours
Солнышко на Севере / Sunshine in the North

Uploaded 18 July 2021
Last updated 20 July 2021